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Bluetech w/DASHR (Official STS9 after show)
April 11 @ 10:00 pm$10.00 – $15.00
Evan Bartholomew has been performing electronic music for nearly 20 years as Bluetech, Evan
Marc and Invisible Allies (with Kilowatts).
As an an internationally recognized touring music producer with over 27 album / EP releases and a
seasoned portfolio of video game and film scoring credits, Bluetech is a master of analog and
modular sound synthesis and DSP audio manipulation. He brings a passion for sound design and
cutting edge audio exploration into all the work he touches. His music transcends the constructs
normally associated with a calculated “electronic artist,” pursuing music with meaning and purpose
with downtempo, future bass and progressive electronic music, rife with emotional intent and
Bluetech began his training as a classically trained pianist at a young age, and has explored his craft
as a DJ, musician, film composer, record producer and label owner. His work has evolved to include
his roots in classical composition and ear for nomadic harmonic progressions and a deep awareness
of music as a kinetic force with body moving beat mechanics.
Working as a solo artist, as well as a producer, he has written scores for film & television (CSI:
Miami, Scared Sacred, Occupy Love, Albedo Absolute, various television commercials), video
games (Comet Crash 2 – forthcoming PS4) and virtual reality installations (MicrodoseVR). In
addition to music, Evan has established a reputation as an accomplished graphic designer,
illustrator, and 3D animator through both his personal work and commissions for clients (Microsoft,
Austin City Limited, City Of Seattle). Bluetech has toured extensively throughout the U.S. and
internationally, having shared stages with such acts as The Glitch Mob, The Orb, Bassnectar, Ott,
Juno Reactor and many more.
Bluetech’s latest album “4 Horsemen of the Electrocalypse: The Black Horse” is an analog and
modular based composition, in the same vein that he explored with his previous two albums “The
Red Horse” and “The White Horse,” both released in 2016. Ranging from dark Detroit influenced
electro, synthfunk, to more melodic techno explorations, this release pushes forward Bluetech’s
unique analog based approach to sound and music production.